IMMACULATE A tepid piece of religious horror, Immaculate has a great premise, but it never actually takes advantage of it at its full. It gets lost when it tries to criticize the patriarchy and the rigid religious norms in an attempt to make for a necessary commentary about The Curch. Still, it offers a fine performance from Sydney Sweeney, who goes higher than what we have already seen from her in Euphoria TV series and Anyone But You - she might not reach brilliance here, but she does make for a great scream queen (specially in the last scene). Promising, but not as good as it could be. It demanded more visual/graphic horror in order to be terrifying and there are some plot holes in this narrative. Watchable, but underwhelming. RATING: 4,5/10 LOVE LIES BLEEDING It starts as a conventional girl meets girl in a weird context, but then things catch fire and the characters start to evolve - and that's when the movie really grips you. Love Lies Bleeding is a hell of a cinematic t
Last sunday, the Oscars took place in a ceremony with no big surprises, no big thrills and no huge iconic moments... but it got some all timers as winners: Cillian Murphy 's win for Oppenheimer still amazes me (such an internal and subtle performance getting the gold), The Zone of Interest in Best Sound (chilling and perfectly balanced work), Poor Things in Best Costume Design and Best Production Design and The Wonderful Story of Henry Sugar for Best Live Action Short Film (marking Wes Anderson 's first Oscar win of his career). On the other hand, I felt sad for Lily Gladstone not winning Best Actress for Killers of the Flower Moon (such a soulful devastating performance), but Emma Stone was also a very worthy winner for playing the charismatic Bella Baxter in Poor Things . In a night Oppenheimer won big (and its Summer "nemesis" Barbie only took Best Original Song, turning Billie Eilish into the youngest double Oscar winner in history), there were few films tha